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The Building of St. Mark's Church
St. Mark's Church was one of the pioneer churches of Glendale, founded in the late 1880s when the area was still almost entirely pasture and farmlands with a population of only a few hundred. Among these early settlers was a small colony of English expatriates who had come to southern California for its healthy climate. The first Episcopal services were held during the summer of 1888 in the parlor of Henry J. Moore, an English farmer living on Adams Street. That original congregation, probably about twenty in number, was mostly drawn from three large English families: the Moores, the Penns and the Whitakers. However, the congregation grew as other Glendale settlers -- English, Canadian and American -- joined to worship. The group quickly outgrew the Moore parlor, so services were moved to the small three-room Verdugo Schoolhouse at the corner of what is now Chevy Chase and Broadway.
Lacking a resident Episcopal priest, the Glendale congregation at first enjoyed the occasional visits of the Rev. Elias Birdsall, who as an Episcopal missionary in the 1860s had founded the first permanent Protestant church in Los Angeles. Now in the 1880s the Rector of St. Paul's Church in Los Angeles, Elias Birdsall came out to Glendale once a month to administer Holy Communion to the informal Episcopal gathering meeting in the local schoolhouse. On March 22, 1889, the Rt. Rev. William Kip, Episcopal Bishop of California, consented to the organization of a mission in Glendale to be known as the Mission of the Good Shepherd.
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As its first resident priest, he appointed the Rev. John D. Easter, a former university science professor and army chaplain during the Civil War. Dr. Easter had just been appointed the Rector of St. Hilda's Hall, a new Episcopal girls school that was being established in a large Victorian hotel recently built in an unsuccessful attempt to found a resort in Glendale. For several years, the Episcopal congregation in Glendale met in St. Hilda's small chapel.
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Bishop Kip's Letter
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St. Hilda's School |
In 1893, the congregation began work on its own church. The land for it, located on the northeast corner of Broadway and Isabel, was donated by Erskine Mayo Ross, a prominent lawyer and judge who was also a large property owner in Glendale. The building, a small wooden "stick" style Victorian Gothic, was sufficiently completed in 1893 to be useable for services. Around that same time, the congregation decided to change the name of the church to St. Mark's. But final completion of the church building was delayed for almost ten years owing to the Depression of the 1890s that hit southern California – and the little mission church -- particularly hard. |
With the start of the new century, the local economy improved and the population of Glendale began expanding. A new rector was appointed for the mission, the Rev. George Eley. Mr. Eley was an English emigré who a few years earlier
had been a member of the congregation but had left to study for the priesthood. With his return to Glendale, the church was revitalized. It also benefited from the leadership of a new Warden, Dr. David Winslow Hunt, a prominent local doctor and business leader whose house, known as the "Doctor's House," is preserved today in Brand Park.
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Rev. George Eley |
Between the efforts of Mr. Eley and Dr. Hunt, the church building was finally completed in 1903 with the addition of a tower and several new stained glass windows.
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| Over the next ten years the congregation of St. Mark's grew and in 1913 the church building was physically picked up and moved to a new location on the northeast corner of Louise and Harvard, closer to the new center of town along Brand Boulevard. At the time, the church was also remodeled and expanded to accommodate its growing congregation. The following year, on April 22, 1914, the mission was organized as a self-supporting parish church. Its first rector was Dr. C. Irving Mills. The growth and optimistic spirit of the church, however, evaporated in the unsettled times around the First World War. Financial problems and a split between the rector and the vestry left the church broken and divided for several years during which Dr. Mills resigned. |
The First Church |
In the early 1920s, after several years without a rector, the church again began a period of growth and stability. The Rev. Philip Kemp was called in 1922 and remained at St. Mark's until 1935. During that time the church was further expanded and a new parish hall constructed. |
The Rev. Philip Kemp
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In 1935, following Mr. Kemps resignation, St. Mark's called as its new rector the Rev. Clarance H. Parlour, a man of extraordinary faith and ability who led the parish for the next 27 years. |

Rev. Clarance H. Parlour
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| With the leadership of Dr. Parlour, St. Mark's grew to be one of the largest churches in the Los Angeles Diocese. Soon the congregation had completely outgrown its existing church, but its efforts to build a new church were frustrated by the economic conditions just prior to and during the Second World War. When the war ended, the congregation renewed its efforts to build a new church. Through the benevolence of a couple of its parishioners, it was able to acquire a prime location at the southeast corner of Brand Boulevard and Dryden Street. On this spot in 1948 it built its present church building, designed by the prominent ecclesiastical architect Carleton M. Winslow as one of his last projects and not built until after his death. The first service in the church was the Midnight Mass, December 24, 1948. |

St. Mark's Church - 1948
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The church that Winslow designed and that the people of St. Mark's built was a poured concrete Gothic revival church in a vaguely Spanish style. The exterior is almost severely plain with the impressions of the wooden frames still visible in the concrete. Its most notable feature is its spire, rising over 100 feet in the air, and its ornate Gothic facade. The interior features a high-ceilinged nave and a chancel and sanctuary that are richly adorned with carved wood furnishings. The stained glass throughout the church was produced by the Judson Studios of Highland Park, one of southern California's oldest and most highly respected stain glass studios. Particularly beautiful is the Te Deum window above the altar which portrays Christ and St. Mark the Evangelist, flanked by a number of Anglican saints and notable Episcopal clergymen, including several bishops who played a role in the history of St. Mark's Church.
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The chapel to the right of the nave was dedicated to those who gave their lives in defense of the country in World War II, including six servicemen connected to St. Mark's. The chapel altar is the altar of the old church first given to St. Mark's by the Women's Auxiliary of the Diocese in 1903. Also brought from the old church was the marble baptismal font given that same year by James and Laura McIntyre in memory of their two infant sons.
The furnishing and decoration of the interior of the church as it appears today were mostly completed by the mid-1950s. Over the years, there have been several additions to the interior decor, most notable being the painted triptych above the altar created by artist Rhett Judice and installed in the church in 2002. The biggest changes since the 1950s have been in the other buildings of the church complex. Although Carleton Winslow's original design contemplated a parish hall and other structures surrounding a courtyard, the only other facilities constructed in 1948 were a wing of rooms extending off the chancel that included a sacristy, treasury, acolyte and choir rooms and a guild room (now the Bishop Gooden Library). To provide a temporary parish hall, a former Red Cross building that had stood in Pershing Square during the War was purchased and moved to the site in 1948. Now called Westcott Hall, it is currently used for classrooms. The current parish hall was built in 1954 and subsequently named in honor of Dr. Parlour. The front cloisters were completed in 1962, finally enclosing the courtyard according to the original Carleton Winslow master plan.
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An additional classroom building was erected to the rear of the church in the 1960s. Canterbury House was acquired in 1989 for use by the Choir and Music Guild. The courtyard was redesigned and dedicated as a memorial garden in 2004, creating a space of beauty and peace perhaps unequaled in the city.
The Post-Parlour Years (to come)
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